Moon rise kingdom
Moonrise kingdom is in adventure, comedy, drama genres. It is directed by Wes Anderson and was released in 2012. The film is about a pair of young lovers flee their town in new England, which then causes a local search party to pan out to find them. I believe that the themes for the film are young love, dysfunction and escapism. Young love is seen through the main characters Sam and Suzy. Dysfunction is portrayed in Sam’s and Suzy’s families. For example Suzy’s parents love for each other is dying and Sam’s foster parents don’t want him back. Escapism is illustrated in the beach seen. When Sam and Suzy set up their own little paradise on the abandoned beach.
I’m going to be analyzing the cinematography in the scene where Suzy meet for the first time in the meadow. It starts with a long shot of Sam in the long grass and the shot has a binocular template cut out letting the audience know that it is from a person perspective. As soon as Sam looks up at and directly into the camera the shot then cuts to an establishing shot. With Suzy on the left of it looking through her binoculars. Then as Sam walks on the right side of the shot Suzy lowers her binoculars. This establishing shot allows the audience to view the setting. The distance between them also shows how they are nervous to meet each other. She lowers her binoculars when he enters the shot. This suggests that she can clearly see Sam now he has entered the frame. It then cuts to a mid-shot starting at Suzy’s feet and it moves up towards her head and stops. Then it changes to a static shot mid shot of Sam smoking his pipe. This mid shot of Suzy allows the audience to see what she is wearing, what she’s brought along with her and what she’s holding. It gives us a mid-shot of Sam. This also allows us to view what Sam is wearing, what he is carrying, what badges he’s got and that he’s smoking a pipe. These two shot are personal establishing shot because it allows us a first impression on the characters. The Shot then changes to a close up of Suzy’s face and then cuts to a close up Sam’s face. I believe that these two close ups are crucial because it is the fists time they have properly met each on their own. These two close ups allow the audience to see what the characters emotions are to this event. The order of shots in this scene is very much a stylized in table tennis way. For example the first shot is a long shot which happens to be Suzy’s point of view. Then as Sam looks up the shot changes to just Suzy in the shot. Sam then walks into the shot which then it changes to a mid-shot of Suzy. It then cuts to a mid-shot of Sam, then back to Suzy with a close up and back to Sam with a close up. It goes back and forth from Suzy to Sam over and over again. This type of shot sequence is very relatable to other Wes Anderson films. It’s a simple way of shooting a sequence and doesn’t confuse the audience the audience. The shots are also very symmetrical. This also emphasizes the straight forward type and simple way of shooting a sequence.
I’m going to be analyzing the mes en scene in the same scene where Suzy and Sam meet up for the first time. In the first shot you can tell that Sam is in scout group. He is wearing a beaver hat, with a yellow scarf and glasses. He is also carrying a huge rucksack or some type of hiking bag. This gives an initial impression to the audience that he is very prepared for his trip. It also makes the audience wonder where the rest of his scout group is therefore creating an enigma towards this child. The audience can tell he is young by his height and his face. This then adds to the enigma because it begs to question why a young child out in the wilderness on his own is. It also gives the audience a rough age of the boy. All this information allows the audience to build a strong understanding of the boy’s appearance and skills however also gives of a mystery about him. The next shot shows a girl in a pink dress, with red hair, carrying a bag and binoculars. It also shows the setting. It is in the middle of a meadow with long grass with a windmill in the back ground. The wind mill suggests that it’s a farm meaning that someone owns it. Therefore letting the audience know that the girl is not too far from civilisation. There is few hills in the back ground and the sea is just within view. This suggests that they are near the coast and it is a very flat coast line. This just gives the audience some information on what the land is like. The boy then enters the shot on the right wearing the same clothes as last time and we can now see that he is wearing shorts. The girl’s dress and the boy’s shorts suggest that the weather is hot. But the clouds show that it is not sunny. So it might be humid. The shot then cuts to a mid shot of the bottom half of the girl. She has a yellow suitcase, record player in her left hand, cat in a bag and Sunday school shoes. All of this shows that this girl is prepared for something. But she's not as prepared as the boy. The camera moves up the girls body and shows that she has got dark red hair and she is young. all of these factors put together create an impression that she is innocent and untrained for the wilderness. The shot then changes to a mid shot of the boy. He is wearing the same stuff as earlier but we can see that he is smoking a pipe now. The boy has nothing that he's is carrying with his hands yet the girl has Emphasizing how He is more prepared then she is because she is carrying a lot of bags with her hands. The audience can now tell that he has a lot of badges on his shirt. Telling the audience that he has many achievements.
In conclusion I believe that these two micro features have made this scene incredible informative to the audience and can show and tell the audience in single shots what are they doing there, Whos more prepared, How have they prepared and etc. The mes en scene also displays huge amounts of detail and informs the audience a large amount of information about the characters.